Karnevalski šator hrđa na večernjem povjetarcu – ras/pakiranje predmetnosti – S. Pregrad (HR)

23.4. u 16:00h / Galerija Miroslav Kraljević
Karnevalski šator hrđa na večernjem povjetarcu – ras/pakiranje predmetnosti / S. Pregrad

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Prostor je mišljen dvoznačno, kao izložba i kao izvedba, te se u njemu izvodi/izlaže devet objekata – reenactment rada Meeting Point Sanje Iveković, rečenica ispisana na zidu, tinejdžerski dnevnik iz 1991., kazalište kao dispozitiv pažnje, konfekcija kupljena u tvornici Kamensko u stečaju, izvedba kao predmet sačinjen od vremena, gorka sol i šećer u kocki, predmeti posuđeni od publike te ples kao predmet.
Rad je nastao uz financijsku potporu HZT/ UdK Berlin, Ministarstva kulture Republike Hrvatske i Ureda za kulturu Grada Zagreba te uz rezidencijalnu podršku Plesnog centra TALA.

Grafičko oblikovanje: Dora Đurkesac
Suradnici na projektu: Maria Francesca Scaroni, Jeanine Durning, Siegmar Zacharias, Nicole Hewitt, Nives Sertić, Marina Petković Liker

Sonja Pregrad je plesna umjetnica koja se u svom radu bavi materijalnosti plesa i koreografijom odnosa. U njenim radovima i suradnjama, kao što su na primjer ‘Vrijednost je dinamički suvišak svake funkcije’, ‘We do not know the logic of the wind’, ‘Sequel for the future / a dance in 2043 / a dance in 2044’ i Balkan Dance Reality Show’, ples je uvijek mišljen kao kontekstualizirana i relacijska gesta. Sa Zrinkom Šimičić Mihanović organizira festival Improspekcije, a sa Plesnim centrum TALA projekt TASK koji otvaraju dijalog o otvorenosti i suradnji umjetničkih medija i procesa. Predaje i radi sa studentima Odsjeka za animirani film i nove medije na ALU Zagreb. Sa redateljicom Marinom Petković Liker vodi Četveroruku, organizaciju za otvaranje novih polja kazališne komunikacije. Surađuje s umjetnicima Sanjom Iveković, Borisom Charmatzom, Silviom Marchig i drugima.

 

Carnival tent rusts in the evening breeze - un/packing of objecthood

The event-space functions simultaneously and in contradiction as a performance and as an exhibition and within it 9 ‘objects’ are exhibited/performed – a re-enactment of a performance art work Meeting Point by Sanja Iveković, a wall-writing, a teenage diary from 1991, garments bought at the Kamensko factory in bankruptcy, Glaubert’s salt and sugar cubes, performance as an object consisting of time, objects borrowed from the audience and the dance as an object.
The making of the work was financed by the HZT/ UdK Berlin, Ministry of Culture of the Republic of Croatia, City of Zagreb and with the residency at the Dance Centre TALA.

Graphic design: Dora Đurkesac
Advisors: Maria Francesca Scaroni, Jeanine Durning, Siegmar Zacharias, Nicole Hewitt, Nives Sertić, Marina Petković Liker

Sonja Pregrad is a dance artist developing, for the last ten years, work around the notions of im/materiality of dance and choreography of relations. She graduated at ArtEZ in the Netherlands and has attained an MA in Solo/Dance/Authorship at UdK in Berlin. In her works, such as ‘Value is a dynamic surplus of any action’, ‘We do not know the logic of the wind’, ‘Sequel for the future / a dance in 2043 / a dance in 2044’ or ‘Balkan Dance Reality Show’, dance is always approached as a contextualized and relational gesture. With Zrinka Šimičić Mihanović, she co-curates festival of improvisation and live art Improspekcije, and with the Dance Centre TALA the interdisciplinary magazine and project TASK. She performs for Boris Charmatz, Sanja Iveković, Isabelle Schad and others, teaches at Academy for Fine Arts in Zagreb and co-runs artistic organization Fourhanded.

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