Nevidljivi

 

 Nevidljivi - interdisciplinarno izvedbeno istraživanje

 

Datum izvedbe: 27.02.2014. u Plesnom centru Tala

Koprodukcija: Linkta, NDA, LLB, Stanica za savremeni ples i TALA

 

Projekt je raliziran kroz programsku liniju LLB EU projekt pod nazivom Dance works.

 

LLB program podržava i potiče umjetnike iz svih dijelova Europe, iz vrlo različitih sredina, koji će formirati budućnost suvremenih izvedbenih umjetnosti u Europi. Identifikacija umjetnika sa svojim potencijalom i dobivanje podrške kroz koprodukcije su izvrsne umjetničke prakse. To je važan alat za razvijanje dijaloga i razmjene među umjetnicima i plesnim organizacijama na europskoj razini.

 

Institut za katastrofu i kaos je ženski kolektiv koji djeluje u polju suvremenih izvedbenih umjetnosti i teorije, osnovan 2011. u Zagrebu. U središtu našeg rada je stvarnost iskustva u recentnoj neo-liberalnoj ekonomiji, pozicija umjetnosti unutar takvog sustava, s fokusom na ženski rad. Format naših radova odražava tu stvarnost.

Članice kolektiva su  Selma Banich, Deana Gobac , Nataša Govedić , Roberta Milevoj  i Iva Nerina Sibila, a suradnice teoretičarka Annalaura Alifuoco (It) i plesna umjetnica Charlotte Darbyshire (UK),

 

Selma Banich je umjetnica, aktivistica i sretna kućanica, živi i radi u Zagrebu. Suosnivačica ekscene, platforme za edukaciju i istraživanja u izvedbenim umjetnostima, autorica, izvođačica i suosnivačica OOUR-a i umjetnička suradnica i izvođačica u projektima izvedbenih grupa Trafik, DB Indoš i čikaške izvedbene grupe Every house has a door.

Nataša Govedić teatrologinja je, kazališna kritičarka, mama, aktivistica čitanja djeci, dramaturginja, urednica i predavačica na Akademiji dramskih umjetnosti te na Učiteljskom fakultetu u Zagrebu. Dosad je objavila deset teatroloških knjiga i dvije knjige za djecu. Na autorskoj ili suautorskoj izvedbenoj sceni surađivala je s Vilimom Matulom, Brankom Trlin, Ivom Nerinom Sibilom, Selmom Banich, Robertom Milevoj, Deanom Gobac, Silvijom Marchig, Darkom Japeljom, Milom Čuljak, Jasnom Vinovrški, Pavlom Heidlerom i Brunom Isakovićem. Suosnivačica je Instituta za katastrofu i kaos.

Deana Gobac školovala se na Školi za klasični balet u Zagrebu, od 1987.  članicom je baletnog ansambla Hrvatskog narodnog kazališta u Zagrebu gdje od 1995. do 2005. u statusu solistice. Nastupa i u nezavisnim produkcijama Nataše Lušetić, Jasne Frankić, Željka Zorice, Ive Višak, Od 2007. djeluje kao  samostalna umjetnica i baletna pedagoginja.

Roberta Milevoj, rođena u Puli. Od 1998.g. djeluje kao plesačica u predstavama mnogih renomiranih plesnih ansambala i nezavisnih skupina, a od 2005.g. razvija autorski rukopis (Roberta, Roberta, Rachel&Sonny Opet Roberta.  Dobitnica je Nagrade hrvatskog glumišta za najbolju žensku ulogu 2011.g. i Produkcijske nagrade 28. Tjedna suvremenog plesa

Iva Nerina Sibila,  plesna umjetnica, školovala se na Northern School of Contemporary UK. Nakon povratka u Zagreb radi kao plesačica, autorica i edukatorica.

Aktualni plesni projekti: Integrirani kolektiv – IMRC, umjetnička voditeljica, Trafik, su-autorica i izvođačica, Žak Valenta productions, izvođačica

 

Nevidljivi, kao interdisciplinarno izvedbeno istraživanje ima dva ishodišta: studiju Gregoria Sholettea DARK MATTER: Activist Art and the Counter-Public Sphere i knjigu Kaliban i vještica Silvie Federici. Nevidljivi istražuju su-odnos raznih izvedbenih izričaja, uključujući teoriju izvedbe i vizualne umjetnosti. Namjera nam je stvoriti kolektivni rad posvećen procesu uzajamnog razumijevanja i suradnje na osobnoj, umjetničkoj i organizacijskoj razini. Nevidljivipokušavaju učiniti vidljivima sve nevidljive procese koji se odgađaju iza i između performativnog materijala.

 

Je li moguće stvoriti proces u kojemu su u prvom planu ljudi, a ne kapital?

Proces koji gradi nove modele kooperacije?

Proces koji poštuje ljudske odnose, ne samo dijagrame profita?

Nataša: Umjetnost je sada samo “flaster” za jedan ogromni društveni vulkan. Pretvaramo se da umjetnost liječi. Ali, umjetnost je samo supstitut za potpuni manjak brige službenih institucija. Umjetnost je mnogo, ali nije dovoljno. Zato što umjetnost ne govori jezikom duboke kooperacije. Samo jezikom osobnog interesa i/ili globalnog tržišta.

Nerina pita: Što je suprotno od njegovateljice?

Deana: odgovara: Muškarac.

Selma odgovara: Pacijent.

Nataša odgovara: Vještica.

 

eulogo

 

Institute for Catastrophe and Chaos

The Invisibles 

Interdisciplinary performance research 

Date of perfomance: 27.02.2014. , Tala Dance Center

Co-production: Linkta, NDA, LLB, Stanica and TALA

 

The Life Long Burning network considers the co-productions of dance and performance pieces as an important tool to develop dialogue and exchange both between artists and between dance organisations on the European level. The artistic selection of the works is made during the annual co-organiser meetings. Dance Works! is ensuring European added value: only works involving artists from at least 3 different countries are liable to be funded. Co-productions are chosen from applications following a public call thus ensuring both the visibility of the network as well as the involvement of all European dance artists.

The coproduction activity is directly linked with the Prix Jardin d’Europe, as at least four Dance Works! pieces are among the 10-14 annually nominated works.

All Dance Works! creations are at display on the LLB website in full length to guarantee maximum exposure for the young artists. Dance Radar Europe supports the promotion of these creations amongst the European colleagues by involving social media structures ensuring strong links to multiplying sites regarding both the LLBwebpage and facebook page.

 

Institute for Catastrophe and Chaos is a collective of female artists in the fields of performance and performance studies, founded in 2011 in Zagreb.

Our interest is in the reality of social experience in a neo-liberal economy and the position of an artist within that, with the focus on the work of women. The format of our performative works mirror that reality.

 

Our new project The Invisibles – interdisciplinary performance research has two main starting points; a study by Gregory Sholette DARK MATTER: Activist Art and the Counter-Public Sphere and Silva Federici’s book Caliban and the Witch.

 

 

 

Paricipating artists:

Annalaura Alifuoco (It), Selma Banich (Cro), Charlotte Darbyshire (UK), Deana Gobac  (Cro), Nataša Govedić  (Cro), Roberta Milevoj (Cro) and Iva Nerina Sibila (Cro)

Annalaura Alifuoco (IT)

Born and raised in Naples, Southern Italy, Annalaura Alifuoco now lives and works in London. In 2006, she was awarded a First Class Honours degree in Performing Arts at London Metropolitan University, followed by an MA with Distinction in Physical Theatre and Performance at Royal Holloway University of London (2008). Since 2005, Annalaura has been associate artist of LEIBNIZ, a performance collective established by Dr. Ernst Fischer & Helen Spackman and dedicated to exploring issues of belonging, personal and communal identities and human rights. Her ongoing enquiry into the relationship between embodiment, subjectivity and socio/political engagement represents a prolonged attempt to stretch the possibilities and definitions of performance in order to develop its potential to participate and intervene in the very human flights between desire and terror, love and death.

Selma Banich (Cro)

Performance artist, lives and works in Zagreb. Has authored a series of artworks, created independently or in collaboration with other artists, groups, and initiatives. She uses the medium of dance performance, performance art, and action in public space, both on film and in theater, simultaneously being engaged in the field of informal education and practice-based research. While conceiving and presenting her own work, she strives to give ethics priority over aesthetics, empathy over utopia, art making over politics, and nature over society, thus expanding the context for further learning, creation and participation in the organization of labor.

Charlotte Darbyshire (UK)

Is an independent dance artist and teacher. She was a Dance Lecturer on the BA (Hons) Dance Theatre Programme at TrinityLaban for 10 yrs 2000 – 2011. She is involved in on-going practical research into inclusive and creative approaches to dance practice for disabled and non-disabled students, and has led related teacher-training workshops and lectures. Charlotte was a founder member of CandoCo Dance Company, 1994 – 1999, touring and teaching internationally. She performed works by Siobhan Davies, Emilyn Claid, Adam Benjamin, Guilherme Bothelo of Compagnie Alias, Annabel Arden and Jos Houben of Theatre du Complicite and was instrumental in the development of their integrated Education Programme. She has also performed for Ricochet Dance Productions, Carol Brown, Aletta Collins, Company Q, Company Pyke and Dog Kennel Hill Project. Charlotte makes her own work including dance for camera.

Deana Gobac (Cro)

Was trained at School for Classical Ballet in Zagreb, graduating in 1988. From 1987 she is a member of the ballet company of the Croatian National Theatre in Zagreb, from 1995 to 2005 as a soloist. She danced the entire repertoire of the company including CoppéliaSwan LakeSleeping Beauty,Don QuijoteBallades… brought by the wind…,  Apollo Musagète, Carmina Burana,  BayaderaRomeo and JulietteGiselleNutcrackerThe Songs of Love and DeathTriumph of Aphrodite, The Devil in the Village. She choreographed short ballet No Luggage. She toured in USA, The Netherlands, Italy, Hungary, Austria, Germany, Portugal, Slovenia, UK, Sweden, Denmark, Macedonia, Turkey, Check Republic, and Russia. From 2007 an independent dance artist, she performs with Ballet troupe Croatia, in Croatian National Ballet as a guest and in independent productions.

Nataša Govedić (Cro)

Gained her PhD status in theatrology at Philosophical faculty, Zagreb. Since 1995, she works as independent scholar, critic and teacher in Center for women studies, Center for peace studies, Academy of dramatic arts, University of pedagogy and Philosophical faculty in Zagreb. Co-founding member of the editorial board of several magazines (including Zarez), editor in chief of feminist magazine Treća, and theatre critic of Novi list newspaper from Rijeka. She is the author of nine books from the field of theatrology and peformance studies, and as a dramaturge, creative consultant, author or co-author she collaborated on independent theatrical projects with Vilim Matula, Branka Trlin, Darko Japelj, Sivila Marchig and Jasna Vinovrški.

Hana Lukas Midžić  (Cro)

Sculptress and visual artist born in 1980 in Split.She graduated sculpture in the class of prof. Šime Vulas at the Academy of Fine Arts in Zagreb in 2002. As a visual artist she keeps finding and building her field of interest in sculpture,  video art, land art, as well as in interdisciplinary, performative forms that include shape, sign, word and movement.

She has exhibited in a couple of solo exhibitions and she carries some of her projects outside of institutional frames.

She engages in educational practices through various workshops with both children and adults.

Roberta Milevoj (Cro)

Born in Pula in 1979. Since 1998 she has worked as a performer and dancer in shows done by many dance companies and independent groups: Montažstroj, Liberdance, Zagreb Dance Company, Contemporary Dance Studio, Tala, Sodaberg, Marmot, dance_lab collective, and others. She has worked with various choreographers and directors: Matija Ferlin, Borut Šeparović, Irma Omerzo, Aleksandra Janeva, Keren Levi, Matija Debeljuh, Tomislav Feller, and others. As an author, she has been developing her own choreographic work since 2005 and has signed a number of independent collaborative pieces: TRIO (2005), materijal248 (2009), Roberta, Roberta (2011), Rachel&Sonny (2012). In 2010 she was awarded by the Croatian Dramatic Artists Award for best female dancer in the performance ONFORMANCE. In 2011 she received the Producer’s Award at the 28th Dance Week Festival for the performance Roberta, Roberta. She also works as a contemporary dance teacher.

Mila Pavićević  (Cro), born in 1988. She reads Comparative literature and Greek language and literature (Faculty of Humanities and Social Sciences, University of Zagreb) and Dramaturgy (Academy of Dramatic Arts, University of Zagreb). She worked as a dramaturge in theatre ITD and Croatian national theatre in Zagreb. With choreographer Sergiu Matis (RO/DE) she works regularly on production of dance pieces. She won several awards including European Union Prize for Literature, which she won for her book Ice girl and other fairy tales in 2009.

Iva Nerina Sibila ((Cro)

Dance artist and writer. She was trained at Northern School for Contemporary Dance in Leeds UK.  After returning to Zagreb she has been active as a dancer, performer, choreographer, extensively as teacher and organizer. Following her interest in dance writing and feminism, she has been publishing reviews, essays and publications on various issues considering dance art and profession. Receant dance activities include artistic leadership ofIntegrated Movement Research Collective - dance project for dancers with and without physical disability, as well as perfroming in Žak Valenta production Hermaphrodities of the Soul.

 

The Invisibles researches the co-relation of different dance and performance fields of expression, debating as well performance theory and visual arts. Our desire is to create collective work dedicated to developing a process of mutual trust and cooperation on personal levels, artistic inputs and production strategies. The Invisibles aims to make visible all the invisible processes, that happens beyond and between the performative material.

 

Is it possible to create a process that favors people over capital?

A process that builds new models of cooperation?

A process that respects human relations, not only the profit charts?

 

Natasa: Art is now just a ”band-aid” over huge social  volcano. We pretend that art heals. But art is in fact just a substitute for the total lack of care in official institutions. Art is plenty, but not enough. Because art still doesn’t speak the language of deep cooperation. Only the language of personal interest and/or   the global market.

Nerina asks:  What is the opposite of a nurse?

Deana answers: The man. 

Selma answers: The patient. 

Natasa answers: The witch.